Tracked shipping to Taiwan with premium packaging for just NT$300 

Ship to
Taiwan
0
  • argentina
  • chile
  • colombia
  • españa
  • méxico
  • perú
  • estados unidos
  • internacional

Select your country

Americas

Europe

Rest of the world

portada Kaagaz Ke Phool (Paper Flowers)
Type
Physical Book
Publisher
Collection
BFI Film Classics
Year
2025
Pages
104
Format
Paperback
Dimensions
18.80 x 31.20 x 0.80 cm
ISBN13
9781839027062

Kaagaz Ke Phool (Paper Flowers)

Lalitha Gopalan (Author) · BFI Publishing · Paperback

Kaagaz Ke Phool (Paper Flowers) - Lalitha Gopalan

New Book Imported to Taiwan
Delivery: 14 Jul - 21 Jul Shipping: 3 to 3 business days.
NT$ 675
NT$ 675

Synopsis "Kaagaz Ke Phool (Paper Flowers)"

Guru Dutt’s final film as a director, Kaagaz Ke Phool/Paper Flowers (1959), follows the successful film-maker Suresh Sinha (played by Dutt himself) as rumours of his affair with his actress Shanti (Waheeda Rehman) lead him to lose his family, descend into alcoholism and ultimately retreat from the film industry. Initially met with critical and commercial failure, the film is now revered for its technical prowess and considered one of the finest self-reflexive works in Indian cinema. Lalitha Gopalan explores Kaagaz’s innovative visual style, being the first Indian film shot in CinemaScope, highlighting cinematographer V. K. Murthy’s essential contribution. She also analyses the soundtrack, composed by S. D. Burman with lyrics by Kaifi Azmi, examining the now-classic picturisations of songs such as ‘Waqt Ne Kiya Kya Haseen Sitam’. Drawing on interviews with practitioners and people close to Dutt, Gopalan reconstructs the original contexts of the film’s production and reception. Finally, using Kagaaz as a lens, she assesses Dutt’s influence on popular Indian cinema during the 1950s, as well as on global film melodrama more broadly.

Guru Dutt’s final film as a director, Kaagaz Ke Phool/Paper Flowers (1959), follows the successful film-maker Suresh Sinha (played by Dutt himself) as rumours of his affair with his actress Shanti (Waheeda Rehman) lead him to lose his family, descend into alcoholism and ultimately retreat from the film industry. Initially met with critical and commercial failure, the film is now revered for its technical prowess and considered one of the finest self-reflexive works in Indian cinema.

Lalitha Gopalan explores Kaagaz’s innovative visual style, being the first Indian film shot in CinemaScope, highlighting cinematographer V. K. Murthy’s essential contribution. She also analyses the soundtrack, composed by S. D. Burman with lyrics by Kaifi Azmi, examining the now-classic picturisations of songs such as ‘Waqt Ne Kiya Kya Haseen Sitam’. Drawing on interviews with practitioners and people close to Dutt, Gopalan reconstructs the original contexts of the film’s production and reception. Finally, using Kagaaz as a lens, she assesses Dutt’s influence on popular Indian cinema during the 1950s, as well as on global film melodrama more broadly.

Customers reviews

Frequently Asked Questions about the Book

All books in our catalog are Original.
The binding of this edition is Paperback.

Questions and Answers about the Book

Do you have a question about the book? Login to be able to add your own question.

Opinions about Bookdelivery

More customer reviews