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portada de Mysteriis
Type
Physical Book
Publisher
Pages
210
Format
Paperback
Dimensions
24.6 x 18.9 x 1.1 cm
Weight
0.39 kg.
ISBN13
9781141477616
Categories

de Mysteriis

Andocides (Author) · Nabu Press · Paperback

de Mysteriis - Andocides

New Book Imported to Taiwan
Delivery: 08 Sep - 21 Sep Shipping: 16 to 20 business days.
NT$ 1,032
NT$ 1,032

Synopsis "de Mysteriis"

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Andocides
  (Author)
View Author's Page
Andocides (c. 440-390 BC) was an Athenian orator and politician, member of an ancient aristocratic family that considered itself a descendant of the god Hermes. During his life, he faced accusations of impiety, including his alleged involvement in the mutilation of the hermae and the desecration of the Eleusinian Mysteries. After being exiled, he returned to Athens and defended his case in the speech "On his Return" (c. 410 BC), where he requested the restitution of his civil rights. Another of his speeches, "On the Mysteries" (c. 399 BC), presents his defense against the accusations of impiety related to the Eleusinian Mysteries. Finally, "On Peace" (c. 390 BC) is a political speech in which he advocates for peace with Sparta during the Corinthian War.

In addition to his speeches, Andocides is known for his association with the homonymous potter, who, along with the Andocides Painter, is recognized for having introduced the red-figure technique in Greek pottery around 530 BC. This innovation allowed greater precision and detail in artistic representations, marking a significant transition from the earlier black-figure technique.
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