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portada Gathering. The Carl and Betty Pforzheimer Collection of Studio Glass
Type
Physical Book
Collection
Gathering
Year
2025
Pages
168
Format
Hardcover
Dimensions
28.00 x 23.80 x 2.00 cm
ISBN13
9798987929384

Gathering. The Carl and Betty Pforzheimer Collection of Studio Glass

Lan Morgan;Sarah N. Chasse (Author) · Marquand Books Inc · Hardcover

Gathering. The Carl and Betty Pforzheimer Collection of Studio Glass - Lan Morgan;Sarah N. Chasse

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Synopsis "Gathering. The Carl and Betty Pforzheimer Collection of Studio Glass"

A lavishly illustrated book highlighting some of the best works of contemporary studio glassThe Peabody Essex Museum (PEM) in Salem, Massachusetts, is the oldest continually operating museum in the United States and has been collecting glass art and objects since its founding in 1799. Celebrating Carl and Betty Pforzheimer's landmark gift of 220 works of studio glass, this publication positions PEM as a significant American destination for contemporary glass. Two essays contextualize the Pforzheimers' gift within the 225-year trajectory of PEM's glass collecting and the larger history of international and American glass movements. Accompanying the essays is a lavishly illustrated catalog of seventy highlighted artworks punctuated with object entries and quotes that center artists and their practice. By showcasing the works and contributions of the influential artists represented in the collection, the publication reinforces the Pforzheimers' close relationships with artists as the foundation of their collecting practice.

A lavishly illustrated book highlighting some of the best works of contemporary studio glass

The Peabody Essex Museum (PEM) in Salem, Massachusetts, is the oldest continually operating museum in the United States and has been collecting glass art and objects since its founding in 1799. Celebrating Carl and Betty Pforzheimer's landmark gift of 220 works of studio glass, this publication positions PEM as a significant American destination for contemporary glass.

Two essays contextualize the Pforzheimers' gift within the 225-year trajectory of PEM's glass collecting and the larger history of international and American glass movements. Accompanying the essays is a lavishly illustrated catalog of seventy highlighted artworks punctuated with object entries and quotes that center artists and their practice. By showcasing the works and contributions of the influential artists represented in the collection, the publication reinforces the Pforzheimers' close relationships with artists as the foundation of their collecting practice.

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