Name: new theatre quarterly 49: volume 13, part 1
Price: 1078.00 TWD
Availability: InStock
Author: Barker, Clive ; Trussler, Simon
ISBN: 9780521589024

portada new theatre quarterly 49: volume 13, part 1

new theatre quarterly 49: volume 13, part 1

Type

Physical Book

Illustrated by

Clive Barker

Simon Trussler

Publisher

Cambridge University Press

Author

Barker, Clive ; Trussler, Simon

Year

1997

Language

English

Pages

Format

Paperback

Dimensions

24.4 x 17.0 x 0.5 cm

Weight

0.17 kg.

ISBN

0521589029

ISBN13

9780521589024

Synopsis "new theatre quarterly 49: volume 13, part 1"

New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Topics covered in NTQ 49 include: Lmma Lyon, the 'Attitude', and Goethean Performance Theory; Good Nights Out: Finding and Activating the Audience with 7:84 (England); Behind the Arras, through the Wall: Hamlet in Krakow, 1989; Harrison, Herakles, and Wailing Women; Myths and Enabling Fictions of Origin in the Editing of Shakespeare.

Clive Barker

(Illustrated by)

View Author's Page

Clive Baker was born on October 5, 1952, in Penny Lane, Liverpool. He is a writer, film director, illustrator, and painter. Author in the horror and fantasy genre. He studied English and Philosophy at the University of Liverpool. He is one of the most acclaimed in his field. He is known for the "Books of Blood" series and its film adaptations (Hellraiser and Nightbreed).

In addition to his renowned literary facet, he has stood out as a great illustrator, director, and screenwriter, being the creator of films like Hellraiser and Candyman. He also has numerous adaptations of his work into comics. He collaborated with Marvel Comics in creating his own publishing imprint called Razorline, which was short-lived.

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