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portada Poetry, Politics, and the Body in Rimbaud: Lyrical Material
Type
Physical Book
Year
2018
Language
English
Pages
288
Format
Hardcover
ISBN13
9780198826583

Poetry, Politics, and the Body in Rimbaud: Lyrical Material

Robert St. Clair (Author) · Oxford University Press · Hardcover

Poetry, Politics, and the Body in Rimbaud: Lyrical Material - Robert St. Clair

New Book Imported to Taiwan
Delivery: 27 Aug - 07 Sep Shipping: 7 to 8 business days.
NT$ 4,993
NT$ 4,993

Synopsis "Poetry, Politics, and the Body in Rimbaud: Lyrical Material "

Bodies abound in Rimbaud's poetry in a way that is nearly unprecedented in the nineteenth-century poetic canon: lazy, creative, rule-breaking bodies, queer bodies, marginalized and impoverished bodies, revolting and revolutionary, historical bodies. The question that Poetry, Politics, and the Body seeks to answer is: What does this corporeal density mean for reading Rimbaud? What kind of sense are we to make of this omnipresence of the body in the Rimbaldian corpus, from first to last–from the earliest poems in verse celebrating the sheer, simple delight of running away from wherever one is and stretching one's legs out under a table, to the ultimate flight away from poetry itself? In response, this book argues that the body appears–often literally–as a kind of gap, breach, or aperture through which Rimbaud's poems enter into contact with history and a larger body of other texts. Simply put, the body is privileged 'lyrical material' for Rimbaud: a figure for human beings in their exposed, finite creatureliness and in their unpredictable agency and interconnectedness. Its presence in the early work allows us not only to contemplate what a strange, sensuous thing it is to be embodied, to be both singular and part of a collective, it also allows the poet to diagnose, and the reader to perceive, a set of seemingly intractable, 'real' socio-economic, political, and symbolic problems. Rimbaud's bodies are, in other words, utopian bodies: sites where the historical and the lyrical, the ideal and the material, do not so much cancel each other out as become caught up in one another.

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The book is written in English.
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