Among her most notable works are Six Years: The Dematerialization of the Art Object from 1966 to 1972 (1973), From the Center: Feminist Essays on Women's Art (1976), Eva Hesse (1976), Overlay: Contemporary Art and the Art of Prehistory (1983), Mixed Blessings: New Art in a Multicultural America (1990), and The Lure of the Local: Senses of Place in a Multicentered Society (1997). Her work falls within the genre of critical essay and art theory, and has been fundamental in understanding the intersections between art, politics, and society.
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