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portada Heretics
Type
Physical Book
Language
English
Pages
172
Format
Paperback
Dimensions
22.9x15.2x1 cm
Weight
0.26 kg.
ISBN13
9781614271642

Heretics

G. K. Chesterton (Author) · Martino Fine Books · Paperback

Heretics - G. K. Chesterton

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Synopsis "Heretics"

2011 Reprint of 1905 Edition. This work was written as a companion to Chesterton's more famous work, "Orthodoxy'. In "Heretics", Chesterton makes the point that Westerners live in a world that celebrates rebels who step out of the norm and critique long held traditions and beliefs. In some cases, these rebels call attention to wrongs and abuses such as segregation and slavery, but there is a dark side to celebrating rebels. The ranks of those who rebel against traditional Christian beliefs grow increasingly vocal and proud of their defiance of God's Word. This is not a new phenomenon, but was noticed, documented, and critiqued in 1905 by G. K. Chesterton in his work "Heretics." The eccentric Englishman employs his biting wit to expose heretics as wrong and dangerous. Although over 100 years old, "Heretics" is remarkably relevant to today's culture. Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify such a position with Catholicism more and more, eventually converting to Roman Catholicism from Anglicanism. George Bernard Shaw, Chesterton's "friendly enemy" said of him, "He was a man of colossal genius". Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, John Henry Cardinal Newman, and John Ruskin.
G. K. Chesterton
  (Author)
View Author's Page
G. K. Chesterton (London, May 29, 1874 – Beaconsfield, June 14, 1936) was a prolific British writer, author of essays, novels, poetry, biographies, and Christian apologetics. His work is characterized by irony, paradoxical wit, and a critical view of modernity. He was a prominent convert to Catholicism and an influential figure in religious and literary thought of his time. He is also known for his brilliant argumentative style and his defense of common sense.

Among his most recognized works are The Man Who Was Thursday (1908), Orthodoxy (1908), The Innocence of Father Brown (1911), Heretics (1905), The Ball and the Cross (1909), and The Resurrection of Rome (1930). He cultivated the essay, the novel of ideas, detective stories, and social and religious criticism.
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