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portada Schubert the Progressive: History, Performance Practice, Analysis
Type
Physical Book
Illustrated by
Publisher
Author
Language
English
Pages
200
Format
Paperback
Dimensions
23.1 x 15.5 x 1.5 cm
Weight
0.29 kg.
ISBN13
9781138251663
Edition No.
1
Categories

Schubert the Progressive: History, Performance Practice, Analysis

Brian Newbould (Illustrated by) · Routledge · Paperback

Schubert the Progressive: History, Performance Practice, Analysis - Newbould, Brian

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Synopsis "Schubert the Progressive: History, Performance Practice, Analysis "

The eleven essays that comprise this volume represent some of the most significant strands of current Schubert research. Arising from an international conference organized by the Schubert Institute (UK) and the University of Leeds in 2000, the emphasis of the papers is on issues of performance practice, analysis and hermeneutics. In the opening essay of the book, Charles Rosen illuminates some of Schubert's compositional practices and their implications for performers. Further performance problems are explored by Walther Dürr who highlights the paradox between Schubert's precise notation of pitches and rhythm and his imprecision in relation to dynamics and articulation. As Roy Howat makes clear in his essay, the performer needs to read between the lines of even the best Schubert editions. Aspects of Schubert's style are explored in other essays. Clive McClelland discusses the composer's use of ombra style, while Brian Newbould examines Schubert's techniques of compression and expansion as illustrated in his dances and in sonata movements. Robert Hatten explores the G major Piano Sonata as pastoral, and James Sobaskie and Nicholas Rast provide complementary analyses of the A minor Quartet. The organization of musical time in Schubert and his relationship in this regard to later composers is the subject of Susanne Kogler's essay, while Walburga Litschauer discusses Schubert's early piano sonatas and previously unknown versions of them. Various enigmas surrounding Schubert's life and music are discussed by Roger Neighbour. With contributions from both internationally acclaimed and younger scholars, this volume represents a further step in the multifaceted direction that Schubert research is taking.

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