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portada Simulacra and Simulation
Simulacra and SimulationSimulacra and SimulationSimulacra and SimulationSimulacra and SimulationSimulacra and Simulation
Type
Physical Book
Translated by
Language
English
Pages
176
Format
Paperback
Dimensions
22.6x13.2x1.3 cm
Weight
0.23 kg.
ISBN
0472065211
ISBN13
9780472065219

Simulacra and Simulation

Jean Baudrillard (Author) · Sheila Faria Glaser (Translated by) · University of Michigan Press · Paperback

Simulacra and Simulation - Jean Baudrillard

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Synopsis "Simulacra and Simulation"

The first full-length translation in English of an essential work of postmodernism.The publication of ""Simulacra et Simulation"" in 1981 marked Jean Baudrillard's first important step toward theorizing the postmodern. Moving away from the Marxist/Freudian approaches that had concerned him earlier, Baudrillard developed in this book a theory of contemporary culture that relies on displacing economic notions of cultural production with notions of cultural expenditure.Baudrillard uses the concepts of the simulacra - the copy without an original - and simulation. These terms are crucial to an understanding of the postmodern, to the extent that they address the concept of mass reproduction and reproduceability that characterizes our electronic media culture.Baudrillard's book represents a unique and original effort to rethink cultural theory from the perspective of a new concept of cultural materialism, one that radically redefines postmodern formulations of the body.
Jean Baudrillard
  (Author)
View Author's Page
Jean Baudrillard was a French sociologist, philosopher, and essayist, known for his critical analysis of mass culture, consumption, and media. His work falls within philosophical and sociological essays, with a provocative and speculative style that has widely influenced contemporary thought. A professor at the University of Paris X Nanterre, he was a key figure in postmodernism and simulation theory.

Among his most important works are Simulacra and Simulation (1981), The Transparency of Evil (1990), The Perfect Crime (1995), and The Total Screen (1996). He was the sole author of these texts, which have become benchmarks for understanding cultural transformations in the age of media and virtuality.
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