Name: Fair Margaret
SKU: 61534098
Price: 763.00 TWD
Availability: InStock
Author: Henry Rider Haggard
ISBN: 9781544082035

Type

Physical Book

Author

Henry Rider Haggard

Publisher

Createspace

Language

English

Pages

260

Format

Paperback

Dimensions

22.9x15.2x1.4 cm

Weight

0.35 kg.

ISBN13

9781544082035

Synopsis "Fair Margaret"

It was a spring afternoon in the sixth year of the reign of King Henry VII. of England. There had been a great show in London, for that day his Grace opened the newly convened Parliament, and announced to his faithful people-who received the news with much cheering, since war is ever popular at first-his intention of invading France, and of leading the English armies in person. In Parliament itself, it is true, the general enthusiasm was somewhat dashed when allusion was made to the finding of the needful funds; but the crowds without, formed for the most part of persons who would not be called upon to pay the money, did not suffer that side of the question to trouble them. So when their gracious liege appeared, surrounded by his glittering escort of nobles and men-at-arms, they threw their caps into the air, and shouted themselves hoarse. The king himself, although he was still young in years, already a weary- looking man with a fine, pinched face, smiled a little sarcastically at their clamour; but, remembering how glad he should be to hear it who still sat upon a somewhat doubtful throne, said a few soft words, and sending for two or three of the leaders of the people, gave them his royal hand, and suffered certain children to touch his robe that they might be cured of the Evil. Then, having paused a while to receive petitions from poor folk, which he handed to one of his officers to be read, amidst renewed shouting he passed on to the great feast that was made ready in his palace of Westminster. Among those who rode near to him was the ambassador, de Ayala, accredited to the English Court by the Spanish sovereigns, Ferdinand and Isabella, and his following of splendidly attired lords and secretaries. That Spain was much in favour there was evident from his place in the procession. How could it be otherwise, indeed, seeing that already, four years or more before, at the age of twelve months, Prince Arthur, the eldest son of the king, had been formally affianced to the Infanta Catherine, daughter of Ferdinand and Isabella, aged one year and nine months? For in those days it was thought well that the affections of princes and princesses should be directed early into such paths as their royal parents and governors considered likely to prove most profitable to themselves.

Henry Rider Haggard

(Author)

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Sir Henry Rider Haggard (1856–1925) was a prolific British novelist, a pioneer of the adventure genre, and known for his stories set in Africa and ancient Egypt. Born in Bradenham, Norfolk, he was the son of a lawyer and a writer. After studying at Ipswich high school and working in South Africa as the secretary to the governor of Natal, Haggard returned to England in 1882. There, he wrote a story about the Zulus and prepared to enter the Bar, although his literary career soon eclipsed his legal practice.

His greatest success came with King Solomon's Mines (1885), an African adventure novel that introduced the character Allan Quatermain. This book marked the beginning of the "lost worlds" subgenre and was followed by She (1887), which became a classic of fantasy literature. The protagonist of She, Ayesha, was cited by Sigmund Freud and Carl Jung as a prototype of the feminine.

Throughout his career, Haggard wrote more than 60 novels, many of them set in Africa or other parts of the British Empire. His work influenced later writers such as Rudyard Kipling and Edgar Rice Burroughs. He was knighted in 1912 for his services in the agricultural reform of the British Empire. He died in 1925 in London and was buried at St. Mary's Church in Ditchingham, Norfolk.

Although his novels reflect the imperialist ideals of his time, they also show a remarkable sympathy towards the native African populations, which distinguishes them from other colonial works of his time.
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